I was recently talking with a Chinese friend in Minnesota who had just returned from a road trip to New York and Washington with her husband. “Tell me something interesting you have observed in your travels around the US this year,” I said to her.
“Every little town has a museum,” she told me. “In China,” she said, “only the government runs museums and they are mostly about ancient history. But here, there’s a museum about everything.”
I thought it was a brilliant observation.
Shortly after that conversation, I ran across this short film at China File about a man in Sichuan who runs a bunch of small museums near Chengdu. These museums house millions of items he has collected over the years, many of which represent events and eras the government would rather people forget about. The title of the film is “Collecting Insanity.” From the introduction:
Every country has a past it likes to celebrate and another it would rather forget. In China, where history still falls under the tight control of government-run museums and officially approved textbooks, the omissions appear especially stark. An unusual museum dedicated largely to what is absent in China’s self-presentation is the subject of Joshua Frank’s short film “Collecting Insanity.” Frank tours the Jianchuan Museum Cluster, of Fan Jianchuan, an ex-official and real estate magnate, in the town of Anren, near Chengdu. The group of exhibits, named after Fan himself, display their owner’s collection of millions of historical artifacts, gathered over a lifetime of obsessive accumulation. Fan’s museum displays objects from various historical events, including the officially memorialized Sino-Japanese War and the far more taboo fallout of the 2008 Sichuan earthquake.
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